Another One Bites the Dust?

44948148195_d8082d5622_b

Last year I was given a couple of 36-exposure rolls of ADOX Silvermax 100. I don’t like 36-exposure rolls so they sat unused until I recently finished the 100′ roll of HP5+ in one of my bulk loaders and was able to use the loader to break the two 36-exposure factory loads down into four 12-exposure loads in Leica FILCA cassettes. Continue reading “Another One Bites the Dust?”

Choices

44823610405_e1f0b73be7_b

Over the years I’ve tried a number of one camera – one lens – one film – one developer – one whatever disciplines with mixed results at best. Experimenting is a part of my nature. I can not sustain interest in an activity unless there are new things for me to try. At the same time, I know that changing multiple variables at the same time when experimenting can lead to a lot of dead ends. Continue reading “Choices”

The Cost of Hybrid Film Photography Part 3 – Inkjet Prints

I have some family photographic prints made before the First World War. They have been stored out of the light at  room temperature for the past 100+ years and, except for the clothes and home furnishings, they look like they could have been made last year. If, by some chance, my great great grandchildren come across a box of my photographs in 2118 I hope that the prints will have held up as well. Printing with pigment inks in black and white on 100% cotton paper makes that more likely to happen. The costs in this post are based on that approach. Continue reading “The Cost of Hybrid Film Photography Part 3 – Inkjet Prints”

Developing Film 1 – Distilled Water

This is the first post in a series on how I develop film. These posts will not be a How To. They will not argue that my way is the best way. They will just describe how one person develops 35mm black & white film.

I’ll start with water. The only water I use when I develop film is a jug of distilled water. I use it for three reasons. Continue reading “Developing Film 1 – Distilled Water”