Over the years I’ve tried a number of one camera – one lens – one film – one developer – one whatever disciplines with mixed results at best. Experimenting is a part of my nature. I can not sustain interest in an activity unless there are new things for me to try. At the same time, I know that changing multiple variables at the same time when experimenting can lead to a lot of dead ends. Continue reading “Choices”
Did you ever take a picture which was a failure by any objective standard but which showed you something important? The above is one such picture for me. Continue reading “The Eye of the Beholder”
A new thread recently started on the Leica Forum, for pictures taken 30 or more years ago. I got out my binders of contact sheets of my older negatives to look for something I might post. And, as always happens when I do that, I was so taken with my medium format images from the 60’s that few of my 35mm images from the same era really appealed to me. Continue reading “Medium Format – Love/Hate with a Vengeance”
I have some family photographic prints made before the First World War. They have been stored out of the light at room temperature for the past 100+ years and, except for the clothes and home furnishings, they look like they could have been made last year. If, by some chance, my great great grandchildren come across a box of my photographs in 2118 I hope that the prints will have held up as well. Printing with pigment inks in black and white on 100% cotton paper makes that more likely to happen. The costs in this post are based on that approach. Continue reading “The Cost of Hybrid Film Photography Part 3 – Inkjet Prints”
When accountants talk about costs they make a distinction between a sunk cost, which is a cost already incurred that cannot be recovered, and a future cost, which is either a cost not yet incurred or a cost already incurred but which can be recovered. Future costs can be complicated to analyze. In the remaining posts of this series of articles I will only address marginal cost, which is the future cost of producing one additional unit. Continue reading “The Cost of Hybrid Film Photography Part 1 – Sunk Cost”
One reason I started this blog was as a repository for contributions to online discussions of technical photography issues that I find myself making over and over again. It will be easier to point to this post the next time someone complains that their software’s panorama function is not doing what they expected when stitching negative scans. Continue reading “Stitching Negative Scans”
Same subject, same lighting, same film, same developer, different film format.
Continue reading “Abstract No. 1a”